Rev. Fr. Nunilon Arnold F. Bancaso, Jr.
12 January 2013
Cafe des Artes, Baao, Camarines Sur
when i was trying to conceptualize what my project will be, for the annual solo exhibit, i initially considered the subjects i have taken during my photography sessions, i.e., flowers and people, not as photos, but rather as subjects for paintings. i abandoned the idea for the moment, however,
and set them aside for future works.
what made me decide to work on this new set of art pieces in this exhibit, was my perception that there is a need for us, artists, to work on something that allows us to know, to be more critical, and discover more ourselves. this is because of my belief that others, artists and non-artists alike, should not be contented of what they commonly see as it is. . . but rather transcend sense perception to a higher level of abstraction. . .of critically thinking, and later on, living. John Paul II said: "every genuine artistic intuition goes beyond what the senses perceive and, reaching beneath reality's surface, strives to interpret its hidden mystery." furthermore, the great Lao Tzu once said: "a good artist paints his vision; while a great artist lives his vision."
as an artist, i always try to put into my works, my priesthood. thus you can see and interpret my works under the light of who i am and as to what i am most inclined to. my being, as an artist is now inseparable to my being, as a priest. in this context, my works are my prayers, reflections and beliefs, products of inspiration provided by the church's two great sources of Revelation: Scriptures and Sacred Tradition. as John Paul II stated in his letter to artists: sacred scripture has thus become a sort of "immense vocabulary" (Paul Claudell) and "iconographic atlas" (Marc Chagall), from which both Christian culture and art have drawn. the Old Testament, read in the light of the New, has provided endless streams of inspiration. . .for everyone, believers or not, the works of art inspired by the Scripture, remain a reflection of the unfathomable mystery which engulfs and inhabits the world." true, indeed, the scripture is a great source of knowledge, if properly used.
in addition to these two great sources, i tried, in this new set of works, some ideas from artists, philosophers and theologians i encountered in my readings, and interpreted or transformed their ideas into a simpler form of abstraction. if you happen to encounter the works of Steve Joy, you will see his "sacred geometry" by combining figurative religious art form with modern abstract one, to form his "Uncreated Lights". with this, we can say, that truly, what we believe will be seen in our works. and i hope you will also see it in mine.
unlike my previous works, what you are seeing are not of brilliant colours, none of the usual lines and circles, seemingly gay and joyful; but only simple black and gray, of red and dark hues. is this another stage of artistic endeavour? is this similar to the blue period of the great Picasso, as others have asked? it is not. it is still the same artistic period of so great enthusiasm, of so joyful mood, of great inspiration, of colourful atmosphere that even mere black and red can represent them all.R.E.D. is not a representation of a period, it is neither a mere colour used in these works, per se, but rather it is just an acronym that best suits my ideas of Religion, my love for the Environment and my Dreams. these three, vividly expressed the realities that we can penetrate the deepest longings, of man. abstracting R.E.D. is another way for me to give material existence to many unseen worlds and tempi, just like Mark Rothko had said. To support this, for John Paul II, every genuine art form in its own way is a path to the inmost reality of God, of man and of the world. . . "they seek to probe the true nature of man, his problems and experiences, as he strives to know and portray his miseries and joys, his needs and strengths, with a view to a better future."
autobasileia |
furthermore, i see there is a need for us to re-evaluate our ideals and principles in the light of what we believe in. we might have faith but our actions and perspectives are never in accord with it. that faith and religion will be thoroughly futile and useless. if this faith will be filled with uselessness, Nietzsche will then be correct to hammer down that hollowed walls of faith and change it. this religion represents anyone's religion. if you are familiar with Wallace Putnam, his Sufi practice is never set aside in the process of painting, it becomes a visionary sacrifice, as a torment, and as a way to the Divine. . .
theophany |
vir desideriorum |
before i end my discourse, allow me to use the words of John Paul II to give this reminder:
"The Church needs Art. Art must make perceptible, and as far as possible attractive, the world of the spirit, of the invisible, of God. it must therefore translate into meaningful terms that which in itself ineffable. Art has a unique capacity to take one or other facet of the message and translate it into colours, shapes and sounds which nourish the intuition of those who look or listen. It does so without emptying the message itself of its transcendent value and its aura of mystery. I wish to remind each of you that, beyond functional considerations, the close alliance that has always existed between the Gospel and art means that you are ivited to use our creative intuition to enter into the heart of the mystery of the Incarnate God and at the same time into the mystery of man."
To end, borrowing the words of Kristina U. Amadeus, i thank God for the divine gift of the creative fire.
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